Lindsay Lohan Strikes A Pose. Make That Many Poses In Richard Phillips' First Film.

above: Film stills from Lindsay Lohan by Richard Phillips

Lindsay Lohan - A Richard Phillips Film, Jul 28th 2011 at The Gagosian Gallery


The press release:
Gagosian Gallery announces Lindsay Lohan, Richard Phillips' first short film. In his 90-second motion portrait of Lindsay Lohan, Phillips draws on the conventions of his painting that explore the legacies of classical portraiture in relation to the mediated representations of contemporary popular culture.

The film depicts Lohan in a number of classical poses, with references to iconic moments in film, such as Brigitte Bardot smoldering in Jean-Luc Godard's Contempt, or the searing psychosexual interplay of Bibi Andersson and Liv Ullman in Ingmar Bergman's Persona. To create a timeless and psychologically charged Hollywood setting, Phillips repurposed a remote Malibu mansion, but freighted it with the speculative desire of contemporary cinematic performance.

Through Phillips's lens, the defiant openness that makes Lohan so compelling on film becomes the ignition key of each image; the pause before action that allows for the identities of actor and director to meld, where expectation and projection contrast with the construction of multilayered identity.

In these full-frame motion portraits of Lohan, Phillips repudiates the cynical expediency associated with the artistic and commercial convention of the screen test by examining and exposing its manipulative and coercive undertones. He thus works to subvert this carefully constructed form, presenting Lohan as released from acutely mediated narrative representation.

"Lindsay has an incredible emotional and physical presence on screen that holds an existential vulnerability, while harnessing the power of the transcendental—the moment in transition. She is able to connect with us past all of our memory and projection, expressing our own inner eminence." -Richard Phillips

Richard Phillips’ Lindsay Lohan will be included in Commercial Break, presented by the Garage Center for Contemporary Culture in Venice, June 1 - 5, concurrent with the 54th Biennale di Venezia.

Credits:
Directed by: Richard Phillips and Taylor Steele
Director of Photography: Todd Heater
Costume Designer: Ellen Mirojnick
Creative Director: Dominic Sidhu
Art Director: Kyra Griffin
Editor: Haines Hall
Color mastering: Pascal Dangin for Boxmotion
Second Director of Photography: Alejandro Berger
Directors’ Assistant: Katerina Llanes
Wardrobe Stylist: Ira Hammons-Glass
Hair Stylist: Aaron Light
Make Up Stylist: Mylah Morales
Photographer: Christelle De Castro
Photographer's Assistant: Gregory Brouillette
Music: Tamaryn and Rex John Shelverton
Production: GE Projects
Typeface(s): Jean-Luc by Atelier Carvalho Bernau

Richard Phillips would like to thank Lindsay Lohan, Eleanore Lieven, Melissa Lazarov, John Good, Natalia Bonifacci, Doug Aitken, Aimee Walleston, Michelle Finocchi, Ania Diakoff, Patrik Sandberg, Chrisitian Kaemmerling and Group Lotus, Lynne Mannino at Spotwelders, Nadia Sadigianis at Box Studios, Jess Rotter at Mexican Summer, Mark Mayer, Celestine Agency, MILK Studios, Chateau Marmont, and Gagosian Gallery. Special thanks to Josephine Meckseper.

View more videos from "Commercial Break," presented by the Garage Center for Contemporary Culture: www.commercialbreak.org

Portraits Embossed on Aluminum Foil Pans By Idan Friedman

Designer and artist Idan Friedman of Israel's Reddish Studio has created a series of portraits embossed on aluminum foil pans. All the people featured in "Ordinary People and Disposable Objects" are part of his everyday life, ranging from close friends to passers-by.







As viewed when exhibited:



all images courtesy of the artist

Special thanks to Annals of America for bringing these to my attention

Reddish Studio

A Lavish Look at Christian Dior's Legacy and The Art That Inspired It.

above: Dior's Suzurka-San Coat, 2007 and Hiroshige's The Great Wave off the Coast of Kanagawa, 1848

Moscow's Pushkin Museum presents Inspiration Dior, a comprehensive exhibit of Christian Dior's breathtaking fashions and the art that played a role in inspiring them.


above:Dior's "Linda Vojtova" inspired by Goya, 2007-08

"The best way to describe this exhibit is with Christian Dior's own words: 'The history of Parisian fashion is not a vanity fair, but a representation of culture,'" said veteran Pushkin Museum director Irina Antonova.


above: Dior's Forcement short trench coat, 1991 and drawing of Dior's Bar Suit by Christian Berard, 1947

The exhibit features the jewelry, the perfumes and of course, the pieces of Dior as well as many paintings that influenced the designs and styles. Nine rooms in the museum showcase Dior fashions from 18th century-influenced designs to images of today's celebrities donning his gowns. The exhibit has been grouped into the following categories; New Look, Lines and Bodies, Dior and the Eighteenth century, Bell Epoque, Dior Balls, The Gardens of Dior, Dior: Gold and Gold, Dior Around The World, Fine Jewellery, The Atelier or Art of Haute Couture, The Magic of Dior Perfumes and Stars in Dior .


above: Dior's "Koh-I-Noor Dress", 1996-97 and John Singer Sargent's La Camencita, 1900

above: Dior's Black and White silk faille coat, 2002 and Varvara Fiodorovna Stepanova's Casual Dress design, 1923-24

Paintings by Klimt, Renoir, Sargent, van Gogh and others that nourished Dior's inspiration are on loan from the Louvre, Musee d'Orsay, the Versaille Museum and Moscow's Tretyakov gallery.

Many of the Dior dresses on exhibit:













Some of the accompanying pieces of art:







Text about the exhibit from the museum:

February 12th, 1947: Christian Dior presents his first collection at Avenue Montaigne. The revolution is underway and the New Look is born. With it, The House of Dior enters the world of legend.

Unknown until that moment, the genius designer who revered the French way of life entered a triumphant decade, providing women with regal bearing and a sublime look. Skirts were longer, shoulders were softened and waists were cinched. A Dior flower-women blossomed in the post-war era, and outrageously splendid, was soon to conquer the world with infinite grace.

New and highly innovative, the exhibition demonstrates how inspiration has nourished the heart of Dior for decades. This amazing journey guides the visitor through the Dior artistic creative sources of fashion and its links to history, nature, painting, sculpture, drawing, photography and film. It reveals now an idea, a feeling, an era, a garden, a perception or even a smell can instill an idea in the heart and mind, giving rise to a unique creation.

In this major exhibition, the Pushkin Museum showcases Dior magic and luxury whilst emphasizing the outstanding House’s links with art.

The key themes of the Dior legend – past and present on a grand scale in original fashion, set against unique works of art. It is a journey of corresponding elements and magical synergies, where the New Look is echoed in works by Picasso, Modigliani, Renoir, Cezanne or even Gauguin. Nudes by Vanessa Beecroft, Maurizio Cattelan and Orlan emphasise the gloriously modern lines of the female body, accentuated by Christian Dior.

This waltz through time enchants the visitor with lush gardens and recollections of the 18th century and the Belle Époque. Marie-Antoinette meets Jeff Koons, Bonnard’s landscapes celebrate Dior’s flower-women and the Egyptian goddesses from spring summer 2004 establish a radiant, golden destiny.

The Dior grand balls are also celebrated in all their glory in an enchanted setting where Ingres’ aristocrats admire breathtaking crinolines and haute couture gowns. The visitor is then transported around the world with Dior via Goya’s Spain, Matisse’s heady orient and of course, Russia and Asia.

The world of Dior beauty also provides the opportunity to view René Gruau’s strikingly modern illustrations and allows the Russian plastic artist, Olga Kisseleva to create an installation exploring the sensual and sensory universe of Dior perfumes.

A mirror effect of deliberate similarities lays down the framework of this exceptional exhibition, in which the quest for ideal beauty creates the link between Christian Dior, genius couturier, and the impressive and unexpected gallery of great masters.

As monsieur Dior said: “Finally everything that has been part of my life – whether I wanted it or not – has expressed itself in my dresses”.

"Inspiration Dior" runs until July 24 at The Pushkin Museum of Fine Arts.